The Greatness of Puruṣottama
Goloka-tattva and Rādhā–Kṛṣṇa Upāsanā
चतुर्भुजं तु यद्रूपं लक्ष्मीकांतं मनोहरम् । तद्दृष्टं तु शिवाद्यैश्च भक्तवृन्दैरनेकशः ॥ १७ ॥
caturbhujaṃ tu yadrūpaṃ lakṣmīkāṃtaṃ manoharam | taddṛṣṭaṃ tu śivādyaiśca bhaktavṛndairanekaśaḥ || 17 ||
لکشمی کانت کا وہ دلکش چہار بازوؤں والا روپ شیو وغیرہ اور بے شمار بھکتوں کے گروہوں نے بارہا دیکھا ہے॥۱۷॥
Narada (within a Narada–Sanatkumara style puranic discourse; verse states a narrative assertion)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It affirms the reality and accessibility of Bhagavān Viṣṇu’s auspicious four-armed form (saguṇa-darśana), witnessed not only by devotees but even by exalted beings like Śiva—strengthening faith in personal devotion and divine grace.
By emphasizing that devotees repeatedly behold the Lord’s enchanting form, the verse highlights bhakti as a relational path—where sustained devotion culminates in darśana (direct experience/vision) and deepened surrender to Lakṣmīkānta.
No specific Vedāṅga technique is taught in this verse; the practical takeaway is saguṇa-upāsanā—meditating on Viṣṇu’s caturbhuja form (a common purāṇic practice aligned with mantra-japa and dhyāna rather than a technical science like Jyotiṣa).