चन्द्रातपेन संपृक्ता रुचिराम्बरया तथा रजनीवासिते पक्षे दृष्टिदोषं ददासि मे //
candrātapena saṃpṛktā rucirāmbarayā tathā rajanīvāsite pakṣe dṛṣṭidoṣaṃ dadāsi me //
چاندنی اور دھوپ سے ملی ہوئی، اور خوشنما لباس سے آراستہ ہو کر، رات سے معطر اس پکش میں تم میری نظر میں عیب پیدا کرتی ہو۔
This verse does not describe Pralaya; it focuses on doṣa (defect) language—specifically a ‘visual blemish’ (dṛṣṭi-doṣa)—more aligned with ritual/iconographic caution than cosmic dissolution.
It implies attentiveness to auspicious conditions and avoidance of doṣa—an ethic relevant to householders and rulers alike when sponsoring rites, images, or temple works: negligence in timing/material conditions is said to cause undesirable outcomes.
The verse uses technical doṣa framing (dṛṣṭi-doṣa) and references light (moon/sun), garments, and pakṣa (fortnight), suggesting that improper exposure/mixture or inauspicious timing can be treated as a ritual/visual defect in image-making, worship, or temple-related observances.