HomeMatsya PuranaAdh. 3Shloka 11
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Matsya Purana — Brahmā’s Four Faces, Shloka 11

बुद्धेर् मोहः समभवद् अहंकाराद् अभून् मदः प्रमोदश् चाभवत् कण्ठान् मृत्युर् लोचनतो ण्र्प भरतः करमध्यात् तु ब्रह्मसूनुर् अभूत् ततः //

buddher mohaḥ samabhavad ahaṃkārād abhūn madaḥ pramodaś cābhavat kaṇṭhān mṛtyur locanato ṇrpa bharataḥ karamadhyāt tu brahmasūnur abhūt tataḥ //

بُدھی سے موہ پیدا ہوا؛ اَہنکار سے مَد اور پرمود بھی پیدا ہوئے۔ گلے سے موت ظاہر ہوئی؛ آنکھوں سے، اے بادشاہ، بھرت؛ اور پھر ہتھیلی کے بیچ سے برہما کا پُتر پیدا ہوا۔

buddheḥfrom (the principle of) intellect
buddheḥ:
mohaḥdelusion, bewilderment
mohaḥ:
samabhavatarose, came into being
samabhavat:
ahaṃkārātfrom ego-principle (I-maker)
ahaṃkārāt:
abhūtbecame, arose
abhūt:
madaḥintoxication, pride
madaḥ:
pramodaḥgladness, delight
pramodaḥ:
caand
ca:
abhavatarose
abhavat:
kaṇṭhātfrom the throat
kaṇṭhāt:
mṛtyuḥDeath (personified)
mṛtyuḥ:
locanataḥfrom the eyes
locanataḥ:
nṛpaO king
nṛpa:
bharataḥBharata (a progenitor/kingly figure)
bharataḥ:
karamadhyātfrom the middle of the hand/palm
karamadhyāt:
tuindeed
tu:
brahmasūnuḥBrahmā’s son (a Brahma-born being)
brahmasūnuḥ:
abhūtarose
abhūt:
tataḥthereafter
tataḥ:
Sūta (narrating the Matsya Purāṇa’s early creation account to the sages; addressed to a king as 'nṛpa' within the cited line)
MohaAhaṃkāraMadaPramodaMṛtyuBharataBrahmāBrahmasūnu
CreationSargaCosmologyPersonified principlesGenealogy

FAQs

It presents a creation (sarga) motif: abstract inner faculties (buddhi, ahaṃkāra) give rise to personified states (moha, mada, pramoda) and beings like Mṛtyu—showing how cosmic evolution includes both psychological principles and divine/ancestral figures.

By tracing moha (delusion) to buddhi and mada (pride/intoxication) to ahaṃkāra, the verse implicitly warns rulers and householders to discipline intellect and ego; unchecked delusion and pride are seen as primordial forces that destabilize dharma and governance.

No direct Vāstu/temple-building rule appears in this verse; its ritual takeaway is conceptual—rituals aim to purify buddhi and restrain ahaṃkāra, countering moha and mada that obstruct right worship and right action.