Adhyaya 62 — The Fire-God Enters the Brahmin Youth; Varuthini’s Love-Sickness and Kali’s Disguise
चकार रममाणे च चक्रवाकयुगे स्पृहाम् ।
मुक्ता तेन वरारोहा निनिन्द निजयौवनम् ॥
cakāra ramamāṇe ca cakravākayuge spṛhām |
muktā tena varārohā nininda nijayauvanam ||
چکروَاک پرندوں کے جوڑے کو ساتھ کھیلتے دیکھ کر وہ خوش اندام عورت آرزو سے بے قرار ہو گئی؛ اس کیفیت سے ضبط ٹوٹا تو اس نے اپنے ہی شباب کو ملامت کی۔
{ "primaryRasa": "shringara", "secondaryRasa": "karuna", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Unchecked longing (kāma) destabilizes inner composure: even auspicious signs of paired harmony (the cakravāka couple) can intensify personal lack, leading to self-blame rather than clarity.
This passage is not sarga/pratisarga/manvantara/vaṃśa/vaṃśānucarita in itself; it belongs to vaṃśānucarita-style narrative material (illustrative story) used by Purāṇas to convey human psychology and moral texture.
The paired birds symbolize the ‘dvandva’ (pairing) principle; when the inner self feels divided from its sought object, external ‘union’ imagery becomes a catalyst for inner burning (kāma-agni).