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Shloka 20

Adhyaya 61The Second Manvantara Begins: The Brahmin’s Swift Journey and Varuthini’s Temptation on Himavat

ततो जडगतिः सोऽथ इतश्चेतश्च पर्यटन् ।

ददर्शातिमनोज्ञानि सानूनि हिमभूभृतः ॥

tato jaḍagatiḥ so 'tha itaścetaśca paryaṭan /

dadarśātimanojñāni sānūni himabhūbhṛtaḥ

اس کے بعد، دھیمی اور کچھ بے ڈھنگی چال سے وہ ادھر اُدھر گھومتا رہا اور برف سے ڈھکے ہوئے پہاڑ کی نہایت دلکش ڈھلوانیں دیکھیں۔

ततःthen
ततः:
Desha-Kala (देश-काल)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय (then/from there)
जड-गतिःslow-moving
जड-गतिः:
Karta (कर्ता/qualifier of subject)
TypeAdjective
Rootजड (प्रातिपदिक) + गति (प्रातिपदिक)
Formकर्मधारयः (जडा गतिः यस्य); पुल्लिङ्ग, प्रथमा एकवचन
सःhe
सः:
Karta (कर्ता/Subject)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुल्लिङ्ग, प्रथमा एकवचन
अथthen
अथ:
Desha-Kala (देश-काल)
TypeIndeclinable
Rootअथ (अव्यय)
Formअव्यय (then)
इतश्here (this way)
इतश्:
Desha (देश/dir.)
TypeIndeclinable
Rootइतस् (अव्यय)
Formअव्यय (adverb: from here/this way)
चेतश्there (that way)
चेतश्:
Desha (देश/dir.)
TypeIndeclinable
Rootचेतस् (अव्यय)
Formअव्यय (adverb: from there/that way; paired with इतस्)
and
:
Samuccaya (समुच्चय/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
पर्यटन्wandering about
पर्यटन्:
Kriya (क्रिया/participial action)
TypeVerb
Rootपरि-अट् (धातु) → पर्यटत् (शतृ/वर्तमान कृदन्त)
Formवर्तमानकृदन्त (शतृ), प्रथमा एकवचन, पुल्लिङ्ग; क्रियाविशेषणभावे (while wandering)
ददर्शsaw
ददर्श:
Kriya (क्रिया/finite verb)
TypeVerb
Rootदृश् (धातु)
Formलिट् (परोक्षभूत/Perfect), प्रथमपुरुष, एकवचन, परस्मैपद
अति-मनोज्ञानिvery charming
अति-मनोज्ञानि:
Karma (कर्म/object complement)
TypeAdjective
Rootअति (अव्यय/उपसर्ग) + मनोज्ञ (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया बहुवचन; उपसर्गपूर्वक-विशेषण (very delightful)
सानूनिplateaus/ridges
सानूनि:
Karma (कर्म/Object)
TypeNoun
Rootसानु (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया बहुवचन
हिम-भूभृतःof the snowy mountain
हिम-भूभृतः:
Sambandha (सम्बन्ध/Genitive)
TypeNoun
Rootहिम (प्रातिपदिक) + भूभृत् (प्रातिपदिक)
Formपुल्लिङ्ग, षष्ठी एकवचन; षष्ठी-तत्पुरुषः (हिमस्य भूभृत् = snowy mountain)
Narrator (context not provided in excerpt)

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

Pilgrimage/TravelAesthetic relish (rasa)Physical limitation

FAQs

The contrast between impaired movement and heightened perception suggests that obstacles can coexist with—and even intensify—awareness; dharmic endurance continues despite bodily limitation.

Carita/narrative progression; descriptive scene-setting rather than cosmological genealogy.

‘Dulled gait’ can point to karmic drag or loss of a protective power (as in the prior verse), while the vision of beauty indicates that sattvic environments still reflect higher realities to the attentive mind.