Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
अनादिमध्यानिधनं सदसन्न सदेव यत् ।
एकान्त्वनेकं नाप्येकं भवभेदसमाश्रितम् ॥
anādimadhyanidhanaṃ sadasanna sadeva yat /
ekantvanekaṃ nāpyekaṃ bhavabhedasamāśraitam
وہ جس کا نہ آغاز ہے نہ وسط نہ انجام؛ جو بھاؤ بھی ہے اور اَبھاؤ بھی، پھر بھی حقیقتاً سَت ہے؛ جو ایک ہو کر بھی کثیر ہے، محض ایک نہیں—ظاہر شدہ وجود کے امتیازات پر قائم۔
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Reality cannot be reduced to a simple category: the Goddess is beyond binary oppositions (sat/asat, one/many). Ethically, it encourages humility in metaphysical claims and devotion that transcends rigid conceptual frames.
It is theological-metaphysical teaching embedded in narrative (not a direct sarga/pratisarga account), yet it undergirds cosmology by defining the Absolute from which creation and dissolution proceed.
The paradox points to non-conceptual realization: Devī is the substratum where opposites reconcile; ‘differences of bhava’ arise in her power, not outside her.