Shloka 3
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
अन्यमुत्फुल्लनयनं दृष्ट्या दृष्ट्येतिवादिनम् ।
परिष्वजन्तमन्योन्यमतिकौतूहलान्वितम् ॥
anyam utphulla-nayanaṃ dṛṣṭyā dṛṣṭyeti-vādinam | pariṣvajantam anyonyam ati-kautūhalānvitam ||
اس نے اور لوگوں کو بھی دیکھا جن کی آنکھیں پھیلی ہوئی تھیں؛ وہ کہتے تھے، “دیکھو! دیکھو!” اور ایک دوسرے کو گلے لگاتے ہوئے بڑے تجسس اور جوش سے بھرے تھے۔
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FAQs
Human communities naturally cohere around unexpected events; the Purāṇic narrative uses such scenes to ground extraordinary turns of fate in believable social behavior.
Ākhyāna/Upākhyāna (storytelling texture). It supports vaṃśānucarita if embedded in a royal/family chronicle, but is not itself a pancalakṣaṇa datum.
The repeated ‘Look!’ suggests the awakening of attention (smṛti/jñāna) before a decisive disclosure—an outward mirror of the inner ‘seeing’ that will soon become remorse and self-inquiry.