कर्णस्तु सुमहातेजा: सिंहनादविमिश्रितम् । धनु:शब्दं महच्चक्रे दथ्मौ तारेण चाम्बुजम्,उधर महातेजस्वी कर्णने सिंहनादके साथ-साथ अपने धनुषकी महती टंकारध्वनि फैलायी और उच्चस्वरसे शंख बजाया
sañjaya uvāca |
karṇas tu sumahātejāḥ siṃhanādavimiśritam |
dhanuḥśabdaṃ mahāc cakre dadhmau tāreṇa cāmbujam ||
ادھر عظیم جلال والے کرن نے شیر کی دھاڑ کے ساتھ اپنے کمان کی زبردست ٹنکار بلند کی اور تیز، بلند آواز میں ‘آمبُج’ نامی شنکھ پھونکا۔
संजय उवाच
The verse highlights a kṣatriya’s public assertion of readiness in battle: sound (roar, bow-twang, conch) becomes a moral and psychological instrument—bolstering allies and unsettling opponents—showing how resolve is communicated and tested in dharma-yuddha contexts.
Sañjaya reports that Karṇa, filled with martial energy, roars like a lion, makes his bow resound loudly, and blows his conch Āmbuja in a piercing tone—an audible signal that the fighting is intensifying and that Karṇa is entering the fray with confidence.
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