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Mahabharata 7.149.47Drona Parva, Adhyaya 149, Shloka 47

अलंबलवधः (Alaṃbala-vadhaḥ) / The Slaying of Alaṃbala and the Advance toward Karṇa

कामगै: शैब्यसुग्रीवमेघपुष्पबनलाहकै:

sañjaya uvāca | kāmagaiḥ śaibya-sugrīva-meghapuṣpa-balāhakaiḥ abhyadravat rādhēyaṃ pravapan sāyakān bahūn |

سنجے نے کہا—شَیبْیَہ، سُگریو، میگھ پُشپ اور بَلاہَک نامی برگزیدہ گھوڑوں سے جُتا ہوا—جو سارَتھی کے اشارے پر دوڑتے تھے اور سنہری زیوروں سے آراستہ تھے—وہ رتھ گویا وِمان کے مانند دکھائی دیتا تھا۔ اس پر سوار ہو کر ساتْیَکی نے بے شمار تیروں کی بارش کرتے ہوئے رادھیہ کرن پر سیدھا دھاوا بول دیا۔

कामगैःwith wish-moving (at will-going)
कामगैः:
Karana
TypeAdjective
Rootकामग (काम + ग)
FormMasculine, Instrumental, Plural
शैब्यŚaibya (name of a horse)
शैब्य:
Karta
TypeNoun
Rootशैब्य
FormMasculine, Nominative, Singular
सुग्रीवSugrīva (name of a horse)
सुग्रीव:
Karta
TypeNoun
Rootसुग्रीव
FormMasculine, Nominative, Singular
मेघपुष्पMeghapuṣpa (name of a horse)
मेघपुष्प:
Karta
TypeNoun
Rootमेघपुष्प
FormMasculine, Nominative, Singular
बलाहकैःwith Balāhakas (horses named Balāhaka / cloud-like ones)
बलाहकैः:
Karana
TypeNoun
Rootबलाहक
FormMasculine, Instrumental, Plural
अभ्यद्रवत्rushed/charged towards
अभ्यद्रवत्:
TypeVerb
Rootअभि + द्रु (धातु: द्रु)
FormImperfect (Laṅ), 3rd, Singular, Parasmaipada
राधेयम्Rādheya (Karna, son of Rādhā)
राधेयम्:
Karma
TypeNoun
Rootराधेय
FormMasculine, Accusative, Singular
प्रवपन्showering/casting forth
प्रवपन्:
Karta
TypeVerb
Rootप्र + वप्
FormŚatṛ (present active participle), Masculine, Nominative, Singular
सायकान्arrows
सायकान्:
Karma
TypeNoun
Rootसायक
FormMasculine, Accusative, Plural
बहून्many
बहून्:
TypeAdjective
Rootबहु
FormMasculine, Accusative, Plural

संजय उवाच

S
Sañjaya
S
Sātyaki
R
Rādheya (Karṇa)
Ś
Śaibya (horse)
S
Sugrīva (horse)
M
Meghapuṣpa (horse)
B
Balāhaka (horse)
C
chariot
A
arrows

Educational Q&A

The verse underscores kṣatriya resolve and disciplined action: effective agency (a well-equipped chariot, obedient horses, skilled archery) is directed with unwavering focus toward a chosen objective. Ethically, it reflects the Mahābhārata’s war setting where duty-driven courage and mastery of means operate within the harsh constraints of dharma-yuddha.

Sañjaya narrates that Sātyaki, riding a splendid chariot drawn by four famed, swift horses, charges at Karṇa (Rādheya) while releasing a heavy volley of arrows, signaling an intense direct engagement between major warriors.

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