देवैर्विष्णोः शरणागमनम्—शिवलिङ्गस्थापनं, शिवसहस्रनामस्तवः, सुदर्शनचक्रप्रदानं च
समायुक्तो निवृत्तात्मा धर्मयुक्तः सदाशिवः चतुर्मुखश्चतुर्बाहुर् दुरावासो दुरासदः
samāyukto nivṛttātmā dharmayuktaḥ sadāśivaḥ caturmukhaścaturbāhur durāvāso durāsadaḥ
وہ یوگ میں کامل طور پر منسلک، نِوِرِتّ آتما—دنیاوی خواہش سے برگشتہ—اور دھرم سے یُکت سداشیو ہے۔ وہ چہار چہرہ اور چہار بازو والا ہے؛ اس کا دھام دشوار رسائی ہے اور وہ خود دُرآسَد—صرف بندھن سے آزاد سادھک کے لیے قابلِ قرب ہے۔
Suta Goswami (narrating a Shiva-stuti in the Linga Purana’s Sahasranama-style section)
It frames Shiva as the transcendent Pati—approached not merely by outward ritual but by inner yogic integration (samāyukta) and withdrawal (nivṛtti); Linga worship is thus validated as both ritual and contemplative ascent toward the hard-to-reach Reality.
Shiva is portrayed as Sadāśiva: eternally auspicious, established in Dharma, inwardly detached, and yet manifest with divine form (four faces and arms). He is ‘durāsada’—not grasped by ordinary pashu-consciousness bound by pasha, but realized through purification and grace.
The verse highlights nivṛtti and samādhi-oriented discipline—Pāśupata-style inner restraint and yogic steadiness—implying that effective Shiva-pūjā culminates in mental withdrawal, dharmic conduct, and focused contemplation of the Linga as Shiva-tattva.