मुनिमोहशमनम्
Pāśupata-yoga, Siddhis, Puruṣa-darśana, Saṃsāra, and Prāṇa-Rudra Pañcāhutī
न तु च्यावयितुं शक्यो मन्वन्तरशतैरपि दृष्ट्वा तु पुरुषं दिव्यं विश्वाख्यं विश्वतोमुखम्
na tu cyāvayituṃ śakyo manvantaraśatairapi dṛṣṭvā tu puruṣaṃ divyaṃ viśvākhyaṃ viśvatomukham
سینکڑوں منونتر بھی اسے متزلزل نہیں کر سکتے۔ مگر اس دیویہ پُرُش کو—جو ‘وشو’ کے نام سے معروف اور ہر سمت رُخ رکھنے والا ہے—دیکھ کر انہوں نے بے تغیر پتی کو پہچانا؛ اس کے حضور پاش کی قوت مٹ جاتی ہے۔
Suta Goswami (narrating to the Sages of Naimisharanya; describing an internal vision of the divine Puruṣa identified with Shiva as Pati)
It establishes the Lord as immovable across cosmic cycles and reveals Him as the all-pervading Puruṣa—supporting Linga worship as contemplation of the changeless Pati present in all directions and forms.
Shiva-tattva is portrayed as divya (transcendent), viśvākhya (the All), and viśvatomukha (omni-faced), indicating the Lord’s immanence in the cosmos and transcendence beyond time (manvantara), the unshakable Pati.
Darśana-based upāsanā: meditative vision of the all-pervading Lord (Puruṣa) aligns with Pāśupata Yoga’s aim—turning the pashu toward Pati so that pāśa (bondage) weakens through steady contemplation.