Adhyaya 72 — Puradāha: Rudra’s Cosmic Chariot, Pāśupata-Vrata, and Brahmā’s Shiva-Stuti
नवात्मतत्त्वरूपाय नवाष्टात्मात्मशक्तये पुनरष्टप्रकाशाय तथाष्टाष्टकमूर्तये
navātmatattvarūpāya navāṣṭātmātmaśaktaye punaraṣṭaprakāśāya tathāṣṭāṣṭakamūrtaye
اُس پرمیشور کو نمسکار جو نو آتما تَتّو کا ہی روپ ہے۔ جس کی آتما شکتی نو اور آٹھ گُنا باطنی صورتوں میں ظاہر ہے، جو پھر آٹھ پرکاشوں کی طرح جگمگاتا ہے، اور آٹھ-آٹھ مُورتیاں دھارن کرتا ہے—اُس شِو کو بندن۔
Suta Goswami (narrating a hymn within the Linga Purana’s Shaiva praise-context)
It frames Shiva as the source of all enumerated cosmic principles and forms—so the Linga is worshipped not merely as a symbol, but as Pati (the Lord) present as tattva, shakti, and manifested murtis.
Shiva is presented as prakāśa (self-revealing consciousness) and as the ground of multiple tattva-enumerations, indicating His transcendence and immanence through Shakti while remaining the sovereign Pati.
The verse supports contemplative japa and dhyāna used in Shaiva stuti: meditating on Shiva’s multi-fold tattva-forms to loosen pasha (bondage) and steady the pashu (soul) toward Pashupata-oriented liberation.