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Shloka 13

Adhyaya 44: Nandikesvara’s Manifestation and Abhisheka; The Rule of Namaskara in Shiva-Nama

कस्याद्य व्यसनं घोरं करिष्यामस्तवाज्ञया कस्य वाद्योत्सवो देव सर्वकामसमृद्धये

kasyādya vyasanaṃ ghoraṃ kariṣyāmastavājñayā kasya vādyotsavo deva sarvakāmasamṛddhaye

اے دیو، آپ کے حکم سے آج ہم کس پر ہولناک آفت نازل کریں؟ اور کس کے لیے ساز و سرود کا جشن برپا کریں تاکہ تمام مرادیں پوری ہوں؟

kasyaof whom/for whom
kasya:
adyatoday
adya:
vyasanamcalamity/misfortune/distress
vyasanam:
ghoramdreadful/terrible
ghoram:
kariṣyāmaḥwe shall do/perform
kariṣyāmaḥ:
tavayour
tava:
ājñayāby command/according to the order
ājñayā:
kasyaof whom/for whom
kasya:
vādya-utsavaḥfestival with instruments/music
vādya-utsavaḥ:
devaO God/O Deva
deva:
sarva-kāmaall desires/all aims
sarva-kāma:
samṛddhayefor the prosperity/fulfilment/attainment
samṛddhaye:

Shiva’s Ganas (attendants), addressing Lord Shiva (contextual attribution within Suta’s narration)

S
Shiva

FAQs

It highlights Shiva’s sovereign ājñā (command): auspiciousness (vādyotsava) and adversity (ghora-vyasana) both occur under the Pati’s governance, reminding the devotee that Linga-pūjā seeks alignment with Shiva’s will and grace (anugraha).

Shiva-tattva is shown as the supreme regulator who can bestow siddhi and prosperity or administer corrective suffering; as Pati, He directs forces that loosen pāśa (bondage) and guide the pashu (soul) toward right order and liberation.

The verse points to vādyotsava—devotional musical celebration as an external limb of pūjā—supporting bhakti and śiva-smaraṇa; yogically, it implies disciplined acceptance of both nigraha and anugraha as part of Pāśupata-oriented surrender to the Lord’s command.