Madhu–Kaiṭabha, Nārāyaṇa’s Yoga-Nidrā, Rudra’s Manifestation, and the Aṣṭamūrti–Trimūrti Teaching
नमः कालाय रुद्राय महाग्रासाय शूलिने / नमः पिनाकहस्ताय त्रिनेत्राय नमो नमः
namaḥ kālāya rudrāya mahāgrāsāya śūline / namaḥ pinākahastāya trinetrāya namo namaḥ
اے رُدر! جو خود زمانہ ہے، اے عظیم نگلنے والے، اے شُول دھاری! آپ کو نمسکار۔ اے پیناک ہاتھ میں رکھنے والے، اے تین آنکھوں والے پروردگار! بار بار نمسکار۔
A devotee/sage voice within the Purāṇic narration offering Rudra-stuti (hymnic praise to Śiva)
Primary Rasa: raudra
Secondary Rasa: adbhuta
By praising Rudra as Kāla (Time) and Mahāgrāsa (the all-devouring Reality), the verse points to the Supreme as the cosmic principle that transcends and absorbs all finite identities—an Ishvara-centric expression of the ultimate ground in which beings arise and dissolve.
The verse functions as mantra-like stuti for japa and bhakti-based dhyāna: meditating on Rudra’s forms (Trinetra, Śūlin, Pinākī) stabilizes attention on Ishvara, supporting inner purification that the Kurma tradition aligns with Pāśupata-oriented devotion and disciplined sādhana.
Though addressed to Rudra, the Kurma Purana’s broader Shaiva–Vaishnava synthesis treats such stuti as praise of the one Ishvara appearing through distinct names and iconographies—supporting a non-sectarian, unity-oriented Purāṇic theology.