Brahma-jñāna
Knowledge of Brahman
देहेन्द्रियमनोबुद्धिप्राणाहङ्कारवर्जितं जाग्रत् सप्नसुषुप्त्यादिमुक्तं ब्रह्म तुरीयकं
dehendriyamanobuddhiprāṇāhaṅkāravarjitaṃ jāgrat sapnasuṣuptyādimuktaṃ brahma turīyakaṃ
تُریہ کہلانے والا برہمن جسم، حواس، من، بدھی، پران اور اَہنکار سے منزّہ ہے اور بیداری، خواب اور گہری نیند وغیرہ کی حالتوں سے ماورا ہے۔
Lord Agni (in the Agni Purana’s instructional discourse)
Vidya Category: {"primary_vidya":"Philosophy","secondary_vidya":"Samanya","practical_application":"Neti-neti contemplation: disidentify from body–mind–prāṇa–ahaṅkāra and from the three avasthās (waking/dream/deep sleep) to intuit Turīya.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"Definition","entry_title":"Turīya Brahman—Beyond body-mind and the three states","lookup_keywords":["turīya","jāgrat-svapna-suṣupti","deha-indriya-manas-buddhi","prāṇa","ahaṅkāra"],"quick_summary":"Defines Brahman as Turīya, free from the constituents of embodied experience and transcending waking, dream, and deep sleep. Serves as a checklist for systematic disidentification in meditation."}
Alamkara Type: Vyatireka (definition by exclusion)
Concept: Turīya is not a state among states but the ever-present Brahman, untouched by body, senses, mind, intellect, prāṇa, and ego.
Application: During observation of waking/dream/sleep cycles, recognize the constant awareness-principle as distinct from changing contents; cultivate steadiness in that recognition.
Khanda Section: Vedanta / Moksha-shastra (Turiya-Brahma Lakshana)
Primary Rasa: Shanta
Secondary Rasa: Adbhuta
Visual Art Cues: {"scene_description":"A fourfold diagram: three bands labeled waking, dream, deep sleep, with a luminous center/sky representing Turīya; a yogin stands beyond the bands.","kerala_mural_prompt":"Kerala mural, symbolic composition with three horizontal panels (jāgrat/svapna/suṣupti) in muted colors and a radiant white-gold field above as Turīya; yogin silhouette in calm posture.","tanjore_prompt":"Tanjore, central Oṃ symbol with heavy gold halo; below it three small vignettes of waking/dream/sleep; ornate frame, devotional abstraction.","mysore_prompt":"Mysore painting, instructional mandala with labels in Devanagari, soft pastel washes, yogin pointing inward, emphasis on clarity and pedagogy.","mughal_miniature_prompt":"Mughal miniature, scholar-yogin in a study with a painted folio showing a four-part schema; delicate clouds for dream, dark wash for sleep, bright courtyard for waking, and pure light for Turīya."}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Yaman","pace":"medium","voice_tone":"instructional"}
Sandhi Resolution Notes: देहेन्द्रियमनोबुद्धिप्राणाहङ्कारवर्जितम् = देह+इन्द्रिय+मनस्+बुद्धि+प्राण+अहङ्कार+वर्जितम्; सुषुप्त्यादिमुक्तम् = सुषुप्ति+आदि+मुक्तम्.
Related Themes: Agni Purana 377 (Samādhi and Brahman-lakṣaṇa verses); Agni Purana 378 (Brahma-jñāna chapter opening)
It imparts Vedāntic vidyā: the technical definition of Turīya-Brahman as that which transcends the psycho-physical apparatus (body, senses, mind, intellect, prāṇa, ego) and the three experiential states.
Alongside rituals, polity, medicine, and arts, the Agni Purana also preserves Upaniṣadic-style consciousness analysis—classifying waking/dream/deep sleep and pointing to Turīya—showing its scope as an encyclopedia of both practical and metaphysical knowledge.
By identifying the Self with Turīya rather than body-mind-ego and the three states, one weakens identification (ahaṅkāra), reduces bondage-producing karma, and orients practice toward liberation (mokṣa).