Agni Purana — Yoga & Brahma-vidya, Shloka 41
Adhyāya 375 — समाधिः
Samādhi
धूमं निशां कृष्णपक्षं दक्षिणायनमेव च पितृलोकं चन्द्रमसं नभो वायुं जलं महीं
dhūmaṃ niśāṃ kṛṣṇapakṣaṃ dakṣiṇāyanameva ca pitṛlokaṃ candramasaṃ nabho vāyuṃ jalaṃ mahīṃ
(رخصت ہونے والی روح) دھواں، رات، کرشن پکش اور دکشنایَن کے راستے سے جاتی ہے؛ پھر پِتروں کے لوک، چندر لوک، فضا، ہوا، پانی اور زمین تک پہنچتی ہے۔
Lord Agni (teaching the sage Vasiṣṭha in the Agni Purana’s discourse frame)
Vidya Category: {"primary_vidya":"Cosmology","secondary_vidya":"Philosophy","practical_application":"Defines the Pitṛyāna (returning path) sequence—used in doctrinal teaching on rebirth mechanics and in ritual-theological understanding of ancestor rites and lunar destiny.","sutra_style":true}
Encyclopedic Reference: {"reference_type":"List","entry_title":"Pitṛyāna (Dark Path) stations: dhūma–rātri–kṛṣṇa-pakṣa–dakṣiṇāyana and elemental return","lookup_keywords":["pitriyana","dhuma marga","krishna paksha","dakshinayana","chandra loka"],"quick_summary":"The verse enumerates the ‘dark path’—smoke, night, dark fortnight, southern course—leading to pitṛloka and lunar sphere, then through space, wind, water, and earth, indicating a return-to-elements trajectory tied to rebirth."}
Concept: Two-path doctrine: Pitṛyāna leads to lunar/ancestral realms and then to elemental return, implying cyclic rebirth rather than final release.
Application: Use as discernment: cultivate knowledge and sādhanā aimed at Devayāna if seeking liberation; understand śrāddha/ancestral rites as operating within the pitṛ-lunar framework of merit and return.
Khanda Section: Moksha-marga & Gati-vidya (Paths after death; Devayana–Pitriyana cosmology)
Primary Rasa: shanta
Secondary Rasa: bhayanaka
Type: Cosmic realm
Visual Art Cues: {"scene_description":"A departing soul moves along a dim route: smoke and night imagery, waning moon of kṛṣṇa-pakṣa, sun’s southern course; then an ancestral realm and lunar sphere, followed by a descent through space, wind, water, and earth.","kerala_mural_prompt":"Kerala mural, nocturnal palette: curling smoke gate, personified Night, waning moon, sun-chariot turning south; pitṛs in a subdued ancestral hall; then elemental bands (ākāśa, vāyu, jala, pṛthvī) as stylized layers; traditional motifs","tanjore_prompt":"Tanjore, dramatic contrast with gold accents: dark background, silvered moon, gold-lined smoke swirls; pitṛloka as a subdued court; elemental descent shown as concentric rings with embossed highlights","mysore_prompt":"Mysore style, clear didactic ladder: labeled steps Dhūma, Niśā, Kṛṣṇa-pakṣa, Dakṣiṇāyana, Pitṛloka, Candraloka, Nabhas, Vāyu, Jala, Mahī; restrained colors, precise linework","mughal_miniature_prompt":"Mughal miniature, night scene with fine clouds: smoke rising from a pyre-like haze, crescent waning moon, southern-tilting sun emblem; pitṛ gathering in a palace; then a stylized descent through airy, windy, watery, earthy landscapes"}
Audio Atmosphere: {"recitation_mood":"contemplative","suggested_raga":"Bhairavi","pace":"slow","voice_tone":"contemplative"}
Sandhi Resolution Notes: दक्षिणायनमेव → dakṣiṇāyanam eva; (सूची-रूपेण द्वितीया-एकवचन पदानि).
Related Themes: Agni Purana Moksha-dharma verses on Devayāna vs Pitṛyāna (same khanda); Agni Purana dharma sections on śrāddha/pitṛ-kārya (elsewhere)
FAQs
It codifies the Pitṛyāna sequence—an after-death cosmological route (smoke → night → dark fortnight → Dakṣiṇāyana → Pitṛloka → Moon → elements)—used in Purāṇic and Upaniṣadic-style gati teachings to distinguish karmic destinations.
Beyond rituals and dharma, it preserves technical cosmography and soteriology: a mapped ‘route’ of post-mortem transit tied to time-cycles (pakṣa/ayana) and loka-theory (Pitṛloka/Chandraloka), showing the Purāṇa’s coverage of metaphysics alongside practice.
It signals a return-oriented, merit-based trajectory (Pitṛyāna) associated with ancestral and lunar realms, implying that one’s karma and orientation toward rites/merit (rather than liberating knowledge) shapes the soul’s course through these stations.