Śakaṭa-bhañjana, Naming by Garga, Dāmodara and Yamala-arjuna, and the Move to Vṛndāvana
क्वचिद् धसन्ताव् अन्योन्यं क्रीडमानौ तथापरैः गोपपुत्रैः समं वत्सांश् चारयन्तौ विचेरतुः
kvacid dhasantāv anyonyaṃ krīḍamānau tathāparaiḥ gopaputraiḥ samaṃ vatsāṃś cārayantau viceratuḥ
Kung minsan, magkasama silang tumatawa at naglalaro sa isa’t isa; kasama ang ibang anak ng mga pastol, pinapastol nila ang mga guya habang gumagala.
Sage Parāśara (narrating to Maitreya)
It portrays the Supreme Lord (Vishnu as Krishna) choosing humble, intimate village life, revealing divinity through accessible, loving lila rather than through cosmic majesty alone.
Parāśara narrates these scenes to Maitreya as purposeful divine play—Krishna and Balarama move among the gopas naturally, while the listener understands their hidden supremacy.
The verse emphasizes a key Vaishnava insight: the Supreme Reality is not distant—Vishnu, as Krishna, becomes near, relational, and joy-giving, inviting devotion through sweetness (mādhurya) and companionship.