Shloka 55
गोवर्धनोत्तरविस्मयः, रासलीलाप्रसङ्गः, तथा सर्वव्याप्तिवेदान्तोपदेशः
रासगेयं जगौ कृष्णो यावत्तारतरध्वनिः साधु कृष्णेति कृष्णेति तावत् ता द्विगुणं जगुः
rāsageyaṃ jagau kṛṣṇo yāvattārataradhvaniḥ sādhu kṛṣṇeti kṛṣṇeti tāvat tā dviguṇaṃ jaguḥ
Inawit ni Kṛṣṇa ang himig ng Rāsa, at ang tinig niya’y lalo pang tumataas at luminaw; habang dumadaloy ang matamis na alingawngaw, sumagot ang mga gopī nang dobleng sigasig—“Sādhu! Kṛṣṇa! Kṛṣṇa!”
Sage Parāśara (narrating to Maitreya)
FAQs
It portrays Kṛṣṇa’s līlā as spiritually magnetic—his music draws devotion outwardly as praise and inwardly as remembrance, showing the Lord as the center of all delight.
By describing their praise as “twofold,” Parāśara highlights escalating bhakti: the more Kṛṣṇa reveals sweetness, the more devotion intensifies through repeated nāma—“Kṛṣṇa, Kṛṣṇa.”
The verse frames Kṛṣṇa’s līlā not as mere romance but as a revelation of the Supreme Lord whose presence naturally awakens loving devotion and constant recitation of his name.