Kurukshetra, Pṛthūdaka Tīrtha, and the Marriage of Saṃvaraṇa with Tapatī
पादौ शुभौ चक्रगदासिचिह्नौ जङ्घे तथोरू करिहस्ततुल्यौ कटिस्तथा सिंहकटिर्यथैव क्षामं च मध्यं त्रिबलीनिबद्धम्
pādau śubhau cakragadāsicihnau jaṅghe tathorū karihastatulyau kaṭistathā siṃhakaṭiryathaiva kṣāmaṃ ca madhyaṃ tribalīnibaddham
Ang kaniyang mga paa ay mapalad, may mga tanda ng cakra, gada, at espada. Ang kaniyang binti at hita ay tulad ng bisig o nguso ng elepante. Ang kaniyang baywang ay gaya ng sa leon; at ang gitna ng katawan ay payat, na may tatlong tiklop na nakabigkis.
{ "primaryRasa": "adbhuta", "secondaryRasa": "vira", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The tradition links outer lakṣaṇas with inner dharma and kṣātra-tejas (royal vigor): the ideal ruler is not merely powerful but ‘auspiciously formed,’ implying fitness for protection and righteous governance.
Vamśānucarita: it is a descriptive segment establishing the stature and legitimacy of a princely figure—supporting the narrative arc of royal line/hero characterization.
Cakra and gadā are classic Viṣṇu emblems; as ‘marks’ on the body they can function as a narrative hint of divine favor or a Viṣṇu-aligned destiny, even when the text is not explicitly presenting an avatāra.