इति संस्तुवतां तेषां हरिराविर्बभूव ह । पीतकौशेयवसनो वनमालाविभूषितः । दिव्यमाल्यानुलिप्तांगो दिव्याभरणभूषितः
iti saṃstuvatāṃ teṣāṃ harirāvirbabhūva ha | pītakauśeyavasano vanamālāvibhūṣitaḥ | divyamālyānuliptāṃgo divyābharaṇabhūṣitaḥ
Habang sila’y nagpupuri nang gayon, si Hari ay tunay na nagpakita sa harap nila—nakasuot ng dilaw na sutlang kasuotan, pinalamutian ng garlandang gubat; ang Kanyang mga sangkap ay pinahiran ng banal na halimuyak at mga bulaklak na makalangit, at ginayakan ng mga hiyas na mula sa langit.
Narrator (contextual Purāṇic narration within Dvārakā Māhātmya; specific speaker not explicit in the snippet)
Tirtha: Dvārakā (with Gomatī context)
Type: kshetra
Scene: As yogins chant, Hari appears radiant: yellow silk garments, forest garland, divine perfumes and flowers on his limbs, celestial ornaments gleaming; devotees gaze in awe with folded hands.
Sincere stuti (praise) and tīrtha-devotion invite divine darśana—God responds with grace by revealing Himself.
Dvārakā and its sanctified setting, where Hari grants direct vision to worshippers.
Devotional praise (stuti) as a spiritual practice leading to darśana.