क्रीडनं गोकुलस्यैव क्रीडा गोपीजनस्य च । कृष्णावतारकर्माणि श्रोतव्यानि पुनःपुनः
krīḍanaṃ gokulasyaiva krīḍā gopījanasya ca | kṛṣṇāvatārakarmāṇi śrotavyāni punaḥpunaḥ
Ang banal na lila ng Gokula, at ang lila ng pamayanang gopī rin—ang mga gawa ni Kṛṣṇa sa Kanyang paglusong bilang avatāra ay dapat pakinggan nang paulit-ulit.
Pitṛs (continuation; promoting śravaṇa as meritorious dharma)
Tirtha: Gokula/Vraja (invoked) within Dvārakā-māhātmya practice
Type: kshetra
Scene: Pastoral Gokula: child Kṛṣṇa playing with calves, gopīs in a circle of dance and song; scenes arranged as repeating panels to suggest ‘again and again’ hearing.
Repeated listening to Kṛṣṇa’s līlās is upheld as a sustaining bhakti-discipline that purifies and uplifts.
Though the episodes reference Gokula, the teaching appears within the Dvārakā Māhātmya’s devotional framework.
Śravaṇa (devotional hearing) of Kṛṣṇa’s avatāra deeds, repeatedly (punaḥ punaḥ).