पूजां च चक्रिरे पुष्पैश्चंदनादिसमुद्भवैः । तदा जाता महादिव्या पुरुषाः पार्षदा हरेः
pūjāṃ ca cakrire puṣpaiścaṃdanādisamudbhavaiḥ | tadā jātā mahādivyā puruṣāḥ pārṣadā hareḥ
Nagsagawa sila ng pūjā gamit ang mga bulaklak at mga handog na mula sa sandal at iba pa. Noon ay lumitaw ang lubhang maningning na mga nilalang na banal—ang mga kasamahan ni Hari.
Deductive (Dvārakā-māhātmya narrative voice; traditionally Sūta/Lomaharṣaṇa)
Tirtha: Dvārakā
Type: kshetra
Scene: After flower-and-sandal worship, the air brightens; radiant figures materialize—Hari’s attendants—haloed, youthful, and resplendent, standing in orderly ranks around the sanctum.
Sincere worship can draw near the divine realm—devotion is portrayed as capable of invoking Hari’s presence and retinue.
Dvārakā, as the setting where worship culminates in divine manifestation.
Pūjā with flowers and auspicious substances such as sandalwood preparations.