Skanda Purana — Prabhasa Khanda, Shloka 45
प्रयागादीनि तीर्थानि गंगाद्याः सरितोऽमलाः । ऋषयो देवगंधर्वाः शुकाद्याः सनकादयः । वीक्ष्य वक्त्रं महाविष्णोः प्रणेमुश्च मुहुर्मुहुः
prayāgādīni tīrthāni gaṃgādyāḥ sarito'malāḥ | ṛṣayo devagaṃdharvāḥ śukādyāḥ sanakādayaḥ | vīkṣya vaktraṃ mahāviṣṇoḥ praṇemuśca muhurmuhuḥ
Ang Prayāga at iba pang mga tīrtha, ang malilinis na ilog na nagsisimula sa Gaṅgā, ang mga ṛṣi, ang mga banal na Gandharva, si Śuka at iba pa, at ang mga Sanaka—nang masilayan ang mukha ni Mahāviṣṇu—ay yumukod at nagpatirapa nang paulit-ulit.
Prahlāda (narration)
Tirtha: Dvārakā (as the gathering-point of tīrthas)
Type: kshetra
Scene: A grand assembly: personified Prayāga and other tīrthas, Gaṅgā and other rivers as goddesses, sages like Śuka and the Sanakas, and gandharvas—כולם gazing upon Mahāviṣṇu’s radiant face and bowing repeatedly.
FAQs
All sanctities—tīrthas, rivers, sages, and celestial beings—converge in reverence before Mahāviṣṇu, teaching the supremacy of the divine presence.
Dvārakā is the narrative locus, while major tīrthas like Prayāga and rivers like Gaṅgā are invoked as participants in the sacred assembly.
Repeated praṇāma after beholding (vīkṣya) the deity’s face—darśana followed by reverential prostration.