श्रीनारद उवाच । पश्यपश्य महाभागे सर्वे प्राप्ताः सुशोभने । तीर्थक्षेत्राणि देवाश्च ऋषयश्चैव कृत्स्नशः
śrīnārada uvāca | paśyapaśya mahābhāge sarve prāptāḥ suśobhane | tīrthakṣetrāṇi devāśca ṛṣayaścaiva kṛtsnaśaḥ
Sabi ni Śrī Nārada: Masdan, masdan, O napakapalad at napakaganda! Dumating na ang lahat: ang mga tīrtha at banal na pook, ang mga deva, at ang mga ṛṣi—lahat ay ganap na nagkatipon.
Nārada
Tirtha: Dvārakā
Type: kshetra
Listener: Hari-priyā Dvārakā (personified; addressed as ‘mahābhāgā… suśobhanā’)
Scene: Nārada gestures expansively before Dvārakā’s presiding feminine personification; behind him arrive radiant devas, matted-hair sages, and personified rivers and tīrthas bearing their emblems, forming a grand procession into the city.
A supremely sacred site draws holiness to itself—devotion and dharma create a spiritual convergence of gods, sages, and tīrthas.
Dvārakā, portrayed as so exalted that tīrthas and divine beings arrive there.
No specific rite is prescribed; the verse frames a mahā-samāgama (great gathering) that sanctifies the setting.