ब्रह्महत्या सुरापानं स्तेयं गुर्वंगनागमः । उत्कल्लनं मनःपापं शोधयेद्विष्णु जागरः
brahmahatyā surāpānaṃ steyaṃ gurvaṃganāgamaḥ | utkallanaṃ manaḥpāpaṃ śodhayedviṣṇu jāgaraḥ
Pagpatay sa Brahmana, pag-inom ng alak, pagnanakaw, paglapit sa asawa ng guro, marahas na paglabag, at mga kasalanan ng isip—nililinis ng pagbabantay para kay Viṣṇu ang mga ito.
Skanda (deduced from Dvārakā Māhātmya didactic style within Skanda Purāṇa)
Tirtha: Dvārakā (Hari-kṣetra)
Type: kshetra
Listener: Rājā (addressed as rājann)
Scene: Night-time vigil in Dvārakā: devotees seated with lamps, conch and cymbals, singing Hari’s names; a central Viṣṇu/Kṛṣṇa icon; the atmosphere conveys purification from heavy sins.
Devotional observance centered on Viṣṇu is framed as a powerful purifier, even for grave moral transgressions.
Dvārakā is the implied sacred setting, as this is within the Dvārakā Māhātmya.
Viṣṇu-jāgaraṇa (night-long vigil for Viṣṇu) as a prāyaścitta-like purificatory act.