Skanda Purana — Prabhasa Khanda, Shloka 1
ईश्वर उवाच । स्थित्वा द्वादशिजागरे क्रतु समे दुःखापहे पुण्यदे रम्यं भागवतं शृणोति पुरुषः कृत्वा हरेः पूजनम् । पुण्यं वाजिमखस्य कोटिगुणितं संप्राप्य भक्तोत्तमश्छित्त्वा पाशसमूह पक्षनिचयं प्राप्नोति कृष्णालयम्
īśvara uvāca | sthitvā dvādaśijāgare kratu same duḥkhāpahe puṇyade ramyaṃ bhāgavataṃ śṛṇoti puruṣaḥ kṛtvā hareḥ pūjanam | puṇyaṃ vājimakhasya koṭiguṇitaṃ saṃprāpya bhaktottamaśchittvā pāśasamūha pakṣanicayaṃ prāpnoti kṛṣṇālayam
Wika ni Īśvara: Ang sinumang tumupad sa pagpupuyat ng Dvādaśī—isang ritong kapantay ng dakilang handog, tagapag-alis ng dalamhati at tagapagkaloob ng kabutihan—at matapos sambahin si Hari ay makinig sa marikit na Bhāgavata, ang gayong pangunahing deboto ay nagkakamit ng kabutihang pinarami nang isang krore kaysa sa sakripisyong Aśvamedha. Sa pagputol sa buong bunton ng mga tali at gapos, nararating niya ang tahanan ni Kṛṣṇa.
Īśvara (the Lord, i.e., Śiva speaking in Purāṇic style)
Tirtha: Dvārakā
Type: kshetra
Scene: Īśvara (as authoritative speaker) proclaims the Dvādaśī vigil’s greatness; devotees worship Hari, then sit through the night listening to Bhāgavata; symbolic nooses (pāśa) snap and fall as a radiant path opens toward Kṛṣṇa’s abode.
FAQs
Devotional discipline—worship of Hari followed by attentive hearing of the Bhāgavata, supported by vrata-like vigilance—destroys bondage and leads the devotee toward liberation in Kṛṣṇa’s abode.
The verse occurs in the Dvārakā Māhātmya of the Prabhāsa Khaṇḍa, thereby praising Dvārakā as the sacred setting where Hari-worship and Bhāgavata-hearing yield exceptional merit.
Observing a Dvādaśī jāgaraṇa (staying awake in sacred vigil), performing Hari-pūjā, and then listening to the Bhāgavata (Bhāgavata-śravaṇa) are prescribed as highly meritorious acts.