गवां शतसहस्रेण सवत्सेनापि यत्फलम् । तत्फलं प्राप्नुयान्मर्त्त्यः स्तोत्रैर्यस्तोषयेद्धरिम्
gavāṃ śatasahasreṇa savatsenāpi yatphalam | tatphalaṃ prāpnuyānmarttyaḥ stotrairyastoṣayeddharim
Anumang kabanalang bunga ang nakukuha sa pag-aalay ng isang daang libong baka, bawat isa’y may guya, yaon ding bunga ang matatamo ng mortal na nagpapasaya kay Hari sa pamamagitan ng mga himno ng papuri.
Brahmā (deduced from the contiguous discourse)
Tirtha: Dvārakā
Type: kshetra
Scene: A pilgrim in Dvārakā stands before Hari’s image, hands folded, singing hymns; beside him are symbolic cows with calves representing the immense go-dāna merit now mirrored by stotra-bhakti.
Devotional praise can rival even the greatest material charities when it truly delights Hari.
Dvārakā, as the broader setting for this teaching on worship and merit.
Pleasing Hari through stotra-recitation; its fruit is compared to massive go-dāna.