मथुराकीर्तनेनापि श्रवणाद्द्वारकापुरः । अयोध्यादर्शनेनापि त्रिशुद्धं च पदं व्रजेत्
mathurākīrtanenāpi śravaṇāddvārakāpuraḥ | ayodhyādarśanenāpi triśuddhaṃ ca padaṃ vrajet
Sa pagpupuri sa Mathurā, sa pakikinig sa kadakilaan ng lungsod ng Dvārakā, at sa pagtanaw sa Ayodhyā—nararating ng tao ang kalagayan/tahanan na tatlong ulit na nalinis.
Unknown (within Dvārakā Māhātmya narration; likely a Purāṇic narrator addressing a listener)
Tirtha: Mathurā / Dvārakā / Ayodhyā (tri-kṣetra)
Type: kshetra
Scene: A devotee performs three acts in sequence: singing Mathurā’s praise by the Yamunā, listening to a reciter narrate Dvārakā’s glory by the sea, and finally beholding Ayodhyā’s sacred skyline at Sarayū; three luminous bands (speech, mind, sight) merge into a single radiant ‘pada’.
Devotion through hearing, praising, and sacred sight (śravaṇa–kīrtana–darśana) purifies and elevates the seeker.
Mathurā, Dvārakā, and Ayodhyā are all praised through distinct devotional modes.
Kīrtana (praise), śravaṇa (listening), and darśana (pilgrimage sight) are recommended as spiritually efficacious acts.
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