श्वपचोऽपि करोत्येवं यात्रां च हरिशांकरीम् । स याति परमां मुक्तिं पितृभिः परिवारितः
śvapaco'pi karotyevaṃ yātrāṃ ca hariśāṃkarīm | sa yāti paramāṃ muktiṃ pitṛbhiḥ parivāritaḥ
Kahit ang isang śvapaca (pinakamababang isinilang) na magsagawa ng gayong paglalakbay kay Hari at Śaṅkara ay makakamit ang sukdulang mokṣa, na kasama at kaagapay ang kanyang mga ninuno.
Unspecified (contextual narrator within Dvārakā Māhātmya)
Tirtha: Hari-Śaṅkara-yātrā (Somnātha/Prabhāsa + Dvārakā)
Type: kshetra
Scene: A humble pilgrim of low status, carrying minimal belongings, stands between symbols of Śiva (liṅga, bilva) and Viṣṇu/Kṛṣṇa (conch, peacock-feather), while ancestral spirits gather behind him, now dignified and luminous as they accompany him toward liberation.
Tīrtha-yātrā and devotion transcend social status; the Hari–Śaṅkara pilgrimage is portrayed as a direct means to mokṣa and ancestral uplift.
The combined pilgrimage circuit associated with Hari (Dvārakā/Kṛṣṇa) and Śaṅkara (Prabhāsa/Somanātha).
Performing the “Hari-Śāṃkarī yātrā”—a pilgrimage honoring both Viṣṇu/Kṛṣṇa and Śiva.