यत्र कृष्णश्चतुर्बाहुः शंखचक्रगदाधरः । नरा मुक्तिं प्रयास्यंति तत्र गत्वा कलौ युगे
yatra kṛṣṇaścaturbāhuḥ śaṃkhacakragadādharaḥ | narā muktiṃ prayāsyaṃti tatra gatvā kalau yuge
Kung saan naroroon si Kṛṣṇa na may apat na bisig, tangan ang kabibe, diskos at pamalo—ang sinumang makarating doon, kahit sa panahong Kali, ay nakakamit ang kalayaan (mokṣa).
Prahlāda
Tirtha: Dvārakā
Type: kshetra
Scene: Kṛṣṇa as four-armed Nārāyaṇa in Dvārakā, holding conch, discus, and mace (and lotus implied), with pilgrims arriving—some weary, some humble—receiving a radiance that signifies liberation even in Kali-yuga.
Even in Kali Yuga, approaching Bhagavān’s sacred presence with faith can lead to mokṣa.
Dvārakā, as the place of Kṛṣṇa’s divine presence.
Pilgrimage (tatra gatvā—going there) is the implied practice; no further rite is specified.