याहि पुण्यकृतांल्लोकान्दर्शनात्स्पर्शनाच्च मे । एवमुक्तः स देवेन संप्रहृष्टतनूरुहः
yāhi puṇyakṛtāṃllokāndarśanātsparśanācca me | evamuktaḥ sa devena saṃprahṛṣṭatanūruhaḥ
“Pumaroon ka sa mga daigdig na nararating ng mga gumagawa ng kabutihan, sa pamamagitan ng pagtanaw sa Akin at ng Aking paghipo.” Nang masabihan ng Panginoon, siya’y napuno ng galak at tumindig ang balahibo sa katawan.
Narrator (within Prahlāda’s narration context in this adhyāya)
Scene: Kṛṣṇa pronounces a blessing of ascent to meritorious worlds; the devotee stands trembling with joy, goosebumps visible, eyes moist, hands folded.
Darśana (sacred vision) and sparśa (divine contact) of the Lord are portrayed as direct causes of liberation and entry into meritorious realms.
The Dvārakā sacred setting, in the narrative stream that culminates in the fame of Nṛga-kūpa/Nṛga-tīrtha.
No explicit ritual is prescribed here; the verse emphasizes salvific grace through the Lord’s darśana and sparśa.