विरक्तोऽसौ महादेवो मदनो येन वै हतः । तं तोषयामि तपसा शंकरं लोकशंकरम्
virakto'sau mahādevo madano yena vai hataḥ | taṃ toṣayāmi tapasā śaṃkaraṃ lokaśaṃkaram
Ang Mahādeva ay walang pagkapit sa pagnanasa—siya nga ang pumatay kay Kāma (Madana). Sa pamamagitan ng mahigpit na tapas, aking palulugurin si Śaṅkara, ang tagapagpala ng mga daigdig.
Pārvatī (as quoted within Sūta’s narration)
Tirtha: Kedāra (Kedāranātha)
Type: kshetra
Listener: Pilgrimage-inquirer audience (munis/śaunaka-type setting typical of Purāṇic narration)
Scene: An ascetic devotee resolves to please detached Mahādeva who burned Kāma; Śiva is envisioned as serene, ash-smeared, third eye luminous, seated in Himalayan stillness.
Śiva is won not by desire but by disciplined austerity and purity; detachment (vairāgya) is central to approaching the divine.
Kedārakhaṇḍa frames this devotion within the Himalayan Śaiva landscape associated with Kedāra and tapas-based attainment.
Tapas (austerity) is the stated means for propitiating Śaṅkara.