तदासाद्य स हैडंबिर्मेरोः शिखरवद्ग्रहम् । द्वारि स्थितां संददर्श कर्णप्रावरणां सखीम्
tadāsādya sa haiḍaṃbirmeroḥ śikharavadgraham | dvāri sthitāṃ saṃdadarśa karṇaprāvaraṇāṃ sakhīm
Pagdating niya sa bahay na iyon—matayog na gaya ng tuktok ng Bundok Meru—nakita ng Haiḍambī sa may pintuan ang isang kasamang babae na nagngangalang Karṇaprāvaraṇā na nakatayo roon.
Sūta
Listener: (implied) Śaunaka and the Naimiṣāraṇya sages
Scene: At the towering doorway: the arriving Haiḍambi pauses; a female companion/door-attendant named Karṇaprāvaraṇā stands poised, adorned with ear-ornaments or ear-covering adornment, signaling rank and readiness to question entrants.
Grand settings in Purāṇas introduce pivotal meetings—discernment is needed when approaching alluring but dangerous domains.
No tīrtha is praised; Meru is used as a mythic point of comparison for the mansion’s height.
None.