विचिक्षिपुर्महात्मानो नभोगतमिवामिषम् । तत्रा हं करमुद्यम्य प्रावोचं पूर्यतां द्विजाः
vicikṣipurmahātmāno nabhogatamivāmiṣam | tatrā haṃ karamudyamya prāvocaṃ pūryatāṃ dvijāḥ
Ang mga dakilang kaluluwa ay nagpalipad ng mga pagtatalo na wari’y karne na inihagis sa langit. Pagkaraan, itinaas ko ang aking kamay at sinabi, “Ipasiya nawa ito, O mga dwija, ang dalawang-ulit na isinilang!”
Narrator (unnamed first-person; likely Sūta’s narration)
Type: kshetra
Scene: A charged scholarly assembly: sages gesturing sharply, speech depicted as flying projectiles; the narrator raises his hand in a commanding yet composed gesture, calling for settlement; the atmosphere shifts from chaotic motion to focused stillness.
Even intense debate should aim at clarity and completion—dharma thrives when discussion is guided toward resolution.
The setting is the same holy āśrama-region under praise; the verse itself does not name the location.
None; it depicts a dharmic method—seeking settled understanding through learned assembly.