बहुना किं मनुष्येभ्यः सर्वो धन्योऽन्ययोनिजः । स्वभावमेव जानीहि पुण्यापुण्यादिकल्पना
bahunā kiṃ manuṣyebhyaḥ sarvo dhanyo'nyayonijaḥ | svabhāvameva jānīhi puṇyāpuṇyādikalpanā
Bakit pa maghahaba ng salita tungkol sa tao? Ang isinilang sa ibang sinapupunan ay sa lahat ng paraan ay mapalad. Alamin na ito’y likas na kalikasan lamang—ang mga guniguni ng ‘kabutihan at kasalanan’ at iba pa’y likhang-isip lamang.
Unspecified in snippet (likely a materialistic/hedonistic interlocutor within the dialogue)
Listener: Nandabhadra
Scene: A disputation scene: a speaker asserting ‘svabhāva alone’ and dismissing merit/demerit, while a composed listener prepares to respond; ascetic ambience with subtle tension.
It presents a disputant’s claim that ‘puṇya and pāpa’ are conceptual, setting up the text’s later reaffirmation of dharma.
None; the focus is doctrinal debate rather than sthala-māhātmya.
None; it argues about the basis of ethics rather than prescribing practice.