पुष्पितां वाचमाश्रित्य रागात्स्वर्गमसाधयन् । द्वापरे च प्रवर्तंते मतिभेदास्ततो नृणाम्
puṣpitāṃ vācamāśritya rāgātsvargamasādhayan | dvāpare ca pravartaṃte matibhedāstato nṛṇām
Umasa sa mabulaklak na pananalita at, dahil sa pagkapit, hinahabol ang langit sa halip na tunay na kaganapan; sa kapanahunang Dvāpara, saka sumibol ang mga pagkakaiba ng pananaw sa mga tao.
Lomaharṣaṇa (Sūta) to the sages (deduced from Māheśvarakhaṇḍa narrative style)
Scene: Assemblies of learned men debating with ornate gestures and scrolls; celestial imagery of svarga as temptation; a quiet devotee/yogin sits apart, unmoved, symbolizing the higher aim beyond rhetoric.
Ornate doctrine and desire-driven religiosity can fragment understanding; genuine dharma aims beyond mere heavenly reward.
None; the verse addresses a yuga-wide shift in religious mentality.
None directly; it critiques motivation and rhetoric rather than prescribing a practice.
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