एवं भृगुं चास्मिविसर्जयित्वा कल्लोलकोलाहलकौतुकीतटे । अथोपविश्येदमचिंतयं तदा किं कृत्यमात्मानमिवैकयोगी
evaṃ bhṛguṃ cāsmivisarjayitvā kallolakolāhalakautukītaṭe | athopaviśyedamaciṃtayaṃ tadā kiṃ kṛtyamātmānamivaikayogī
Kaya nga, matapos kong pauwiin si Bhṛgu, sa pampang na kahanga-hanga sa ugong ng mga alon, ako’y naupo at nagmuni: “Anong tungkulin pa ang nalalabi?”—gaya ng nag-iisang yogin na nagbubulay sa Sarili (Ātman).
Nārada
Tirtha: Mahī-tīra
Type: ghat
Scene: Bhṛgu has departed; the narrator sits alone on the riverbank, waves roaring; posture steady like a yogin, gaze inward; the scene balances dynamic water with inner stillness.
Sacred places inspire both outward dharma and inward contemplation, like a yogin’s self-inquiry.
A wave-resounding shore in the Mahī–Sāgara sacred region (context of the confluence/riverbank).
No formal rite; the verse emphasizes seated reflection (upaveśa, cintana) on dharmic duty.