तां शापाभिमुखीं दृष्ट्वा शैलः पुरुषाविग्रहः । उवाच तां वरारोहां त्वरयाथ सुलोचनाम्
tāṃ śāpābhimukhīṃ dṛṣṭvā śailaḥ puruṣāvigrahaḥ | uvāca tāṃ varārohāṃ tvarayātha sulocanām
Nang makita siyang handa nang magpahayag ng sumpa, si Śaila—na nag-anyong tao—ay nagsalita sa babaeng may magandang balakang at magagandang mata, at hinimok siyang magmadali (o magpigil agad).
Lomaharṣaṇa (Sūta) to the sages (deduced)
Scene: A mountain-spirit/personified Śaila steps forth as a dignified man from swirling elements; the woman stands poised, curse on her lips, as the scene freezes at the moment of recognition and urgent counsel.
Spiritual power (from tapas) compels even antagonists to negotiate; speech and restraint become decisive.
No specific tīrtha is named in the provided verse.
None; the verse sets up a dialogic turning point around the act of pronouncing a śāpa.