अंसोरुयुग्मे धर्मादीन्न्यस्य नाभौ च पार्श्वयोः । अधर्मादीननंतादीन्हृदि पीठे मनुं न्यसेत्
aṃsoruyugme dharmādīnnyasya nābhau ca pārśvayoḥ | adharmādīnanaṃtādīnhṛdi pīṭhe manuṃ nyaset
Sa magkapares na balikat at hita, ilagak ang Dharma at ang iba pa; at sa pusod at sa mga tagiliran, ilagak ang Adharma at ang iba pa, at si Ananta at ang iba pa—pagkatapos ay ilagak ang mantra (manu) sa luklukan ng puso (pīṭha).
Unspecified (contextual narrator in Brahmottarakhaṇḍa)
Scene: A schematic yet sacred visualization: the sādhaka’s body shown frontally with highlighted zones—shoulders, thighs, navel, sides, heart—each receiving glowing labels (Dharma, Adharma, Ananta) as subtle deities/energies; the heart bears a radiant mantra-seat.
Ritual nyāsa sacralizes the body, turning it into a disciplined field where Dharma is established and the heart becomes the mantra-seat.
No tīrtha is named; the focus is internal sanctification through nyāsa.
Assigning (nyāsa) sets beginning with Dharma/Adharma/Ananta to specific limbs and then installing the mantra at the heart-pīṭha.