कैलासशैलभवने त्रिजगजनित्रीं गौरीं निवेश्य कनकांचितरत्नपीठे । नृत्यं विधातु मभिवाञ्छति शूलपाणौ देवाः प्रदोषसमयेऽनुभजंति सर्वे
kailāsaśailabhavane trijagajanitrīṃ gaurīṃ niveśya kanakāṃcitaratnapīṭhe | nṛtyaṃ vidhātu mabhivāñchati śūlapāṇau devāḥ pradoṣasamaye'nubhajaṃti sarve
Sa palasyo sa Bundok Kailāsa, matapos paupuin si Gaurī—ang Ina ng tatlong daigdig—sa trono ng hiyas na may gintong inlay, kapag ninanais ni Śūlapāṇi na simulan ang Kaniyang sayaw, ang lahat ng mga diyos ay nagtitipon at naglilingkod sa Kaniya sa oras ng Pradoṣa.
Unknown (devotional narrator within Brahmottarakhaṇḍa)
Tirtha: Kailāsa
Type: peak
Scene: On Mount Kailāsa, a jeweled palace hall: Gaurī enthroned on a gold-inlaid gem seat; Śiva (Śūlapāṇi) prepares to dance; gods arrive in reverent attendance at Pradoṣa twilight.
Pradoṣa is portrayed as a divinely charged time when even the devas gather to serve Śiva, highlighting its unique sanctity.
Kailāsa is referenced as Śiva’s celestial abode; the verse emphasizes sacred time (Pradoṣa) more than earthly geography.
Implicitly encourages Pradoṣa-time worship by showing the gods themselves attending Śiva then.