ब्राह्मण उवाच । अपि ब्रह्मवधं घोरमपि मद्यनिषेवणम् । तपसा नाशयिष्यामि कि पुनः पारदारिकम् । तस्मात्प्रयच्छ मे भार्यामिमां त्वं ध्रुवमन्यथा
brāhmaṇa uvāca | api brahmavadhaṃ ghoramapi madyaniṣevaṇam | tapasā nāśayiṣyāmi ki punaḥ pāradārikam | tasmātprayaccha me bhāryāmimāṃ tvaṃ dhruvamanyathā
Wika ng Brāhmaṇa: “Kahit ang kakila-kilabot na kasalanang pagpatay sa brāhmaṇa, kahit ang pag-inom ng alak—wawasakin ko sa tapas; lalo pa itong paglapastangan sa asawa ng iba. Kaya ibigay mo sa akin ang asawang ito; kung hindi, tiyak ang kapahamakan.”
Brāhmaṇa
Scene: A brāhmaṇa ascetic with matted hair and staff stands before a troubled king, hand raised in demand; the queen is shown in the background, veiled, embodying the moral crisis; a faint aura of heat (tapas) contrasts with a shadow of desire.
It dramatizes how claims of spiritual power can be misused, and how dharma must be weighed carefully when threatened by fear and coercion.
No tīrtha is named in this verse; it is part of an ethical narrative rather than a site-māhātmya passage.
Tapas (austerity) is cited as a means of destroying sin; no specific rite (snāna/dāna/japa) is prescribed here.