प्रियं यदा मे जायेत तदा संगस्तु ते मयि । का प्रीतिः किं सुखं पुंसां बलाद्भोगेन योषिताम्
priyaṃ yadā me jāyeta tadā saṃgastu te mayi | kā prītiḥ kiṃ sukhaṃ puṃsāṃ balādbhogena yoṣitām
Kapag sumibol ang pag-ibig sa aking puso, saka magkakaroon ng pagsasama sa iyo. Anong pag-ibig, anong ligaya, ang makakamtan ng lalaki sa pag-angkin sa babae sa pamamagitan ng puwersa?
Rājñī (the Queen, continuing speech by context)
Listener: king
Scene: The queen speaks with moral clarity; the king’s posture shifts from insistence to reflection. The composition emphasizes distance and boundary, with the queen’s calm face contrasting the king’s agitation.
Pleasure divorced from consent is not dharmic and cannot yield true love or happiness.
No tīrtha is referenced.
None; it is a moral argument grounded in dharma.