भस्म-प्रकार-त्रिपुण्ड्र-धारण-विधिः
Types of Bhasma and the Method of Wearing Tripuṇḍra
कुर्यादधः पितृभ्यां च उमेशाभ्यां तथोपरि । भीमायेति ततः पृष्ठे शिरसः पश्चिमे तथा
kuryādadhaḥ pitṛbhyāṃ ca umeśābhyāṃ tathopari | bhīmāyeti tataḥ pṛṣṭhe śirasaḥ paścime tathā
Dapat niyang ilagay ito sa ibaba para sa mga Pitṛ (mga diyos na ninuno), at gayundin sa itaas para kina Umā at Īśa. Pagkaraan, sa pagbigkas ng “(namaḥ) Bhīmāya,” ilagay niya ito sa likuran, sa kanlurang bahagi ng ulo.
Suta Goswami (narrating the Vidyeshvara teachings on Shiva worship and ritual nyāsa to the sages at Naimisharanya)
Tattva Level: pasha
Shiva Form: Bhairava
Mantra: (namaḥ) bhīmāya
Shakti Form: Pārvatī
Role: teaching
This verse teaches mantra-nyāsa—sanctifying the body as a temple of Śiva—by assigning directions/locations to divine powers (Pitṛs, Umā-Śiva, and Bhīma), aligning the practitioner’s microcosm with the sacred order that supports devotion and inner steadiness.
Nyāsa prepares the worshipper to approach Saguna Śiva (as Linga and as named forms like Bhīma) with a consecrated body-mind. By placing mantras on specific parts, the devotee internalizes the presence of Śiva-Śakti, making external Linga-pūjā mirror an inner installation of divinity.
It indicates a nyāsa sequence: mentally/ritually place the relevant mantra for the Pitṛs ‘below,’ for Umā-Śiva ‘above,’ and then place “Bhīmāya” at the back of the head (west/behind), as part of preparatory mantra-installation before Shiva worship.