Shloka 62
Mahiṣāsura’s Conquest of Svarga and the Devas’ Appeal to Śiva and Viṣṇu
तुष्टुवुश्च तदा देवीमिन्द्राद्याः सकलाः सुराः । गन्धर्वा गीतमुच्चेरुर्ननृतुर्नर्तकीजनाः
tuṣṭuvuśca tadā devīmindrādyāḥ sakalāḥ surāḥ | gandharvā gītamuccerurnanṛturnartakījanāḥ
Noon, ang lahat ng mga diyos—si Indra at ang iba pa—ay nagpuri sa Mahal na Diyosa. Ang mga Gandharva ay nagtaas ng mga awit ng pagdiriwang, at ang mga makalangit na mananayaw ay nagsayaw ng banal na sayaw.
Suta Goswami
Tattva Level: pati
Shiva Form: Umāpati
Type: stotra
Shakti Form: Gaurī
Role: nurturing
Offering: pushpa
FAQs
It highlights bhakti expressed as stuti (praise), showing that the Divine Mother’s presence naturally evokes reverence, sacred music, and upliftment—signs of grace manifesting in the cosmos.
In Shaiva Siddhanta, Saguna worship includes honoring Shiva together with Shakti; praising the Goddess complements Linga-bhakti because Shiva’s grace is experienced through the inseparable power of Umā.
Adopt stotra-pāṭha and kīrtana (devotional singing) as a steady practice; during Shiva worship, accompany japa (e.g., Panchakshara) with reverent praise to cultivate one-pointed devotion.