अनिरुद्धापहरणानन्तरं कृष्णस्य शोणितपुरगमनम् तथा रुद्रकृष्णयुद्धारम्भः | After Aniruddha’s Abduction: Kṛṣṇa Marches to Śoṇitapura and the Rudra–Kṛṣṇa Battle Begins
स्कन्द प्रद्युम्नबाणौघैरर्द्यमानोऽथ कोपितः । जघान शक्त्या प्रद्युम्नं दैत्यसंघात्यमर्षणः
skanda pradyumnabāṇaughairardyamāno'tha kopitaḥ | jaghāna śaktyā pradyumnaṃ daityasaṃghātyamarṣaṇaḥ
Pagkatapos, nang siya’y matinding napipisil ng mga ulang-palaso nina Skanda at Pradyumna, nagngitngit ang Daitya; ang tagapagwasak ng mga pangkat ng asura, di matiis ang paghamak, ay tumama kay Pradyumna gamit ang sandatang sibat na śakti.
Suta Goswami (narrating to the sages at Naimisharanya)
Role: destructive
The verse uses battlefield imagery to show how reactive anger (kopa) arises when one is pressured; in Shaiva Siddhanta this reflects the binding tendencies (pāśa) that obscure clarity, while the divine side represents disciplined power aligned with dharma.
Though the scene is martial, it points to Saguna Shiva’s governance of cosmic order: devotees contemplate Shiva as the Lord who empowers divine forces like Skanda to restrain chaos, and worship the Linga as the stable center amid conflict and change.
A practical takeaway is japa of the Panchakshara (Om Namaḥ Śivāya) to master anger and agitation, along with steady dhyāna on Shiva as the inner ruler (Pati) who subdues the turbulent impulses symbolized by daityas.