Shiva Purana — Rudra Samhita, Shloka 28
अन्धकादिदैत्ययुद्धे वीरकविजयः — Vīraka’s Victory over Andhaka’s Forces
स्त्रीभिस्सहस्रैश्च शतैरनेकैर्नेदुश्च कल्पांतरमेघघोषाः । भेर्य्यश्च संग्रामजयप्रदास्तु ध्मातास्सुशंखाः सुनितम्बिनीभिः
strībhissahasraiśca śatairanekairneduśca kalpāṃtarameghaghoṣāḥ | bheryyaśca saṃgrāmajayapradāstu dhmātāssuśaṃkhāḥ sunitambinībhiḥ
Pagkaraan, kasama ang libu-libong babae at marami pang daan-daan, umalingawngaw ang sigawan na parang kulog ng ulap sa wakas ng isang panahon. Pinagpalo ang mga tambol ng digmaan na nagbibigay ng tagumpay, at hinipan ang mga mapalad na kabibe ng mga babaeng may magandang balakang—nagtaas ng sigaw ng pagwawagi habang sumusulong ang hukbo ng Dharma sa ilalim ng makapangyarihang kalooban ni Śiva.
Sūta Gosvāmi (narrating to the sages at Naimiṣāraṇya)
Tattva Level: pati
Shiva Form: Mahādeva
Type: stotra
Shakti Form: Durgā
Role: destructive
Cosmic Event: kalpānta-megha-ghoṣa (end-of-age thunder imagery)
FAQs
The verse highlights nāda (sacred sound) as a dharmic power: conches and drums symbolize the awakening of courage and righteous resolve, with victory ultimately resting on Śiva as Pati—the supreme governor of all outcomes.
Though the scene is martial, it points to Saguna Śiva as the Lord who manifests order in the world; devotees remember that all power, glory, and victory are offerings to Śiva, whose presence is worshiped as the Liṅga—steadfast, victorious consciousness amid conflict.
It suggests nāda-upāsanā through mantra and auspicious sound—reciting the Pañcākṣarī “Om Namaḥ Śivāya” while maintaining inner steadiness; if practiced ritually, it pairs well with Tripuṇḍra (bhasma) and Rudrākṣa as reminders of Śiva-centered discipline.