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Shloka 28

प्रणवमहिमा — The Greatness of the Praṇava (Om) as Śiva

अष्टावघोररूपिण्यो मकारे संस्थिताः कलाः । बिन्दौ चतस्रस्संभूताः कलाः पुरुषगोचराः

aṣṭāvaghorarūpiṇyo makāre saṃsthitāḥ kalāḥ | bindau catasrassaṃbhūtāḥ kalāḥ puruṣagocarāḥ

Walong kalā na may anyong Aghora ay nananahan sa pantig na ‘ma’. At sa bindu ay sumisibol ang apat na kalā na nasasaklaw ng pagdama ng puruṣa (sariling kaluluwa).

अष्टeight
अष्ट:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootअष्टन् (संख्या-प्रातिपदिक)
Formसंख्यावाचक-विशेषण; स्त्रीलिङ्गे प्रथमा-बहुवचनार्थे (agreeing with कलाः)
अघोर-रूपिण्यःhaving Aghora-form
अघोर-रूपिण्यः:
Karta (कर्ता)
TypeAdjective
Rootअघोर (प्रातिपदिक) + रूपिणी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; समासः: ‘अघोररूपं यस्याः’ (having the form of Aghora)
मकारेin the letter ‘ma’
मकारे:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootमकार (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन
संस्थिताःsituated
संस्थिताः:
Kriyā (क्रिया)
TypeVerb
Rootसम्-स्था (धातु)
Formभूतकृदन्त, क्त (past participle), स्त्रीलिङ्ग, प्रथमा, बहुवचन; अर्थः ‘situated/established’
कलाःenergies/parts (kalās)
कलाः:
Karta (कर्ता)
TypeNoun
Rootकला (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन
बिन्दौin the bindu (dot)
बिन्दौ:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootबिन्दु (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन
चतस्रःfour
चतस्रः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootचतस् (संख्या-प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; ‘four’ (agreeing with कलाः)
सम्भूताःarisen
सम्भूताः:
Kriyā (क्रिया)
TypeVerb
Rootसम्-भू (धातु)
Formभूतकृदन्त, क्त (past participle), स्त्रीलिङ्ग, प्रथमा, बहुवचन; अर्थः ‘arisen/produced’
कलाःenergies/parts (kalās)
कलाः:
Karta (कर्ता)
TypeNoun
Rootकला (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन
पुरुष-गोचराःwithin human perception
पुरुष-गोचराः:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootपुरुष (प्रातिपदिक) + गोचर (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (Nominative), बहुवचन; षष्ठी-तत्पुरुषः: ‘पुरुषस्य गोचराः’ (within the range of persons/men; perceptible to humans)

Suta Goswami (narrating Shaiva mantra-tattva to the sages of Naimisharanya)

Tattva Level: pasha

Shiva Form: Aghoramūrti

Type: panchakshara

Cosmic Event: Śabda-brahman/kalā-krama emergence: kalā in varṇa, bindu as causal seed-point for manifestation.

S
Shiva

FAQs

It maps subtle śakti-units (kalās) onto mantra-structure (makāra and bindu), showing how Śiva’s auspicious Aghora power becomes accessible to the soul’s awareness, guiding the jīva from limited cognition toward Śiva-realization.

Aghora is a Saguna aspect of Śiva associated with grace and purification; contemplating kalās in syllables and bindu aligns mantra-japa with Linga-upāsanā, where the worshipper approaches Śiva through form while being led to the subtler source (bindu).

Panchākṣarī-japa with focused dhyāna on the syllable ‘ma’ and the bindu (nasal/seed-point), performed with Śiva-pūjā markers like bhasma (tripuṇḍra) and rudrākṣa, to steady awareness and invoke Aghora’s purifying grace.