Shloka 108
The Manifestation of Viṣṇu’s Footprints: Vāmana–Trivikrama, Bāṣkali’s Subjugation, and the Rise of Viṣṇupadī
Gaṅgā
परिष्वज्याभिनन्द्यैनं गृहं प्रावेशयत्स्वकम् । तस्य स्वागतमर्घ्याद्यैः कृत्वा पूजां प्रयत्नतः
pariṣvajyābhinandyainaṃ gṛhaṃ prāveśayatsvakam | tasya svāgatamarghyādyaiḥ kṛtvā pūjāṃ prayatnataḥ
Yakapin niya ito at masayang binati, saka ipinasok sa sarili niyang bahay. Pagkatapos, buong pagsisikap niyang isinagawa ang pagsamba, na may pagbati ng pagtanggap at pag-aalay ng arghya at iba pang kaugalian na parangal.
Narrator (contextual; specific speaker not stated in the provided excerpt)
Concept: Ritualized hospitality—embrace, welcome, arghya, and pūjā—sanctifies both host and guest and becomes a meritorious act.
Application: When receiving guests, offer water, a seat, kind words, and food; perform small acts with full attention as a form of worship.
Primary Rasa: shringara
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"The host embraces the visitor with visible relief and joy, then leads him across the threshold into the inner courtyard. A ritual tray is prepared—arghya water in a shining vessel, flowers, sandal paste—while lamps glow, turning the welcome into a formal pūjā.","primary_figures":["host (householder)","honored guest/visitor","family members or attendants (optional)"],"setting":"inner courtyard with a small shrine niche, brass lamps, flower garlands, offering tray with arghya vessel, clean floor with rangoli","lighting_mood":"temple lamp-lit","color_palette":["brass gold","jasmine white","vermillion red","peacock blue","leaf green"],"tanjore_prompt":"Tanjore painting style: the embrace and entry into the house depicted with opulent textiles and gold leaf; arghya vessel and lamps rendered with embossed highlights; rich reds and greens, traditional iconographic symmetry, the guest subtly radiant as if divine.","pahari_prompt":"Pahari miniature style: gentle domestic architecture, patterned rugs, delicate gestures of welcome; soft lamp glow, refined faces, floral details in the courtyard, understated sacredness.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized lamp flames, ritual tray prominent; warm pigments and temple-wall composition, the act of pūjā shown with clear mudrā-like hand positions.","pichwai_prompt":"Pichwai cloth painting style: central welcome scene framed by lotus borders; lamps and garlands abundant; deep blue background with gold accents, peacocks and floral motifs emphasizing auspicious hospitality."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","footsteps on courtyard floor","flower garland rustle","conch shell (soft)"]}
Sandhi Resolution Notes: परिष्वज्याभिनन्द्य = परिष्वज्य + अभिनन्द्य; अभिनन्द्यैनम् = अभिनन्द्य + एनम्; प्रावेशयत्स्वकम् = प्रावेशयत् + स्वकम्; स्वागतमर्घ्याद्यैः = स्वागतम् + अर्घ्याद्यैः.
FAQs
It describes atithi-satkāra—receiving a guest by embracing, welcoming, bringing them into one’s home, and honoring them with pūjā including arghya and related offerings.
Arghya is a respectful ritual offering—often water (sometimes with auspicious additions)—presented to honor a guest or revered person as part of formal reception.
It emphasizes dharmic hospitality: sincere, effortful honoring of a guest through respectful welcome and appropriate ritual courtesies.