Shloka 72
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
त्रैलोक्यं पश्यते सर्वं स्वस्थानस्थः स्वतेजसा । केवलज्ञानरूपोऽयं मया ते परिकीर्तितः
trailokyaṃ paśyate sarvaṃ svasthānasthaḥ svatejasā | kevalajñānarūpo'yaṃ mayā te parikīrtitaḥ
Nananatili sa sariling kalagayan, natatanaw niya ang buong tatlong daigdig sa sariling liwanag. Ang isang ito—na ang likas ay tanging dalisay na kaalaman—ay ganito kong inilarawan sa iyo.
Unspecified (context not provided in input; likely the primary narrator addressing a listener in the chapter’s dialogue frame)
Concept: Established in one’s own true station (svathāna), one perceives the whole cosmos through self-born radiance; the realized principle is of the nature of kevala-jñāna.
Application: Stabilize daily conduct (svadharma, regular sādhana) so insight becomes steady; cultivate 'witnessing' during work—seeing situations without losing one’s center.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A luminous sage stands unmoving on a small lotus pedestal labeled 'svathāna', while three vast spheres—earth, mid-sky, and heaven—unfurl like transparent mandalas around him. From his brow and heart streams a quiet radiance that becomes an all-seeing net of light, revealing cities, forests, oceans, and celestial courts simultaneously.","primary_figures":["a realized sage (jñānī-bhakta)","symbolic three-world mandalas","subtle Vishnu presence as a light-source behind the cosmos"],"setting":"cosmic space rendered as layered mandalas with faint earthly landscapes and celestial palaces","lighting_mood":"divine radiance","color_palette":["sapphire blue","pearl white","sun-gold","smoky violet","emerald green"],"tanjore_prompt":"Tanjore painting style: central luminous sage on a lotus base, three concentric cosmic rings for the three worlds, heavy gold leaf for the radiance-web; rich reds/greens in miniature earthly scenes within the rings, gem-like highlights, traditional iconographic symmetry with a faint Vishnu aura above.","pahari_prompt":"Pahari miniature style: refined sage with delicate features, the three worlds painted as soft circular vignettes—mountains, rivers, and celestial terraces—floating in a cool indigo sky; subtle white-gold wash for svatejas, lyrical and airy composition.","kerala_mural_prompt":"Kerala mural style: bold outlines, concentric circles for trailokya, stylized palaces and forests; the sage’s radiance as thick ochre-gold bands; large expressive eyes, temple-wall palette of red/yellow/green with black contouring.","pichwai_prompt":"Pichwai cloth painting style: mandala-like trailokya around a central lotus-seated figure; dense floral borders with lotus and tulasi motifs; deep blue background with gold stippling; peacocks and cows in the earthly ring, apsaras in the heavenly ring, all unified by a central chakra-like radiance."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["tanpura drone","conch shell (soft, distant)","temple bells","expansive silence"]}
Sandhi Resolution Notes: केवलज्ञानरूपोऽयं = केवलज्ञानरूपः + अयम् (विसर्ग-लोपः, अवग्रहः); (IAST: rūpo'yaṃ).
FAQs
It conveys omniscient perception that does not depend on physical movement—knowledge that is immediate, inward, and self-luminous.
It describes an entity whose essential identity is undivided knowledge—unmixed with limitation—often used to indicate supreme or perfected consciousness.
Cultivate inner clarity and steadiness: true insight is portrayed as arising from one’s own disciplined, luminous awareness rather than external striving alone.