The Description of Mandara (Mandaropavarṇanam) in the Mohinī Narrative
कुर्वती नृपकामार्थमुपविष्टा शिलातले । नीलकांतिमये दिव्ये सप्तयोजनविरतृते ॥ १७ ॥
kurvatī nṛpakāmārthamupaviṣṭā śilātale | nīlakāṃtimaye divye saptayojanaviratṛte || 17 ||
Sa pagnanais na makamit ang hari bilang layon, siya’y naupo sa ibabaw ng batong banal at dibino, kumikislap sa bughaw na liwanag, na umaabot sa pitong yojana ang lawak.
Suta (narrating the Uttara-bhaga tirtha/mahatmya account in puranic style)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shringara
It frames a tirtha-style episode where intention (kāma/aim) drives action, and the setting is marked as “divine” through extraordinary sacred geography (a blue-radiant, vast stone), signaling a place of special potency for the unfolding merit-bearing narrative.
Bhakti is not stated explicitly here; the verse primarily establishes the sacred locus and the seeker’s focused intention. In Narada Purana’s mahatmya flow, such concentrated resolve at a sanctified place typically becomes the groundwork for later devotional acts (vrata, japa, worship) that yield spiritual fruit.
A practical takeaway is the use of traditional measurement (yojana) and puranic sacred-topography. While not a direct Vedanga teaching, it aligns with the descriptive conventions that support tirtha-māhātmya mapping and ritual travel planning.